O round, cool face of forever
float free
for me
Saucer without a teacup
without the tyranny
of tea
Owl eye without a pupil
blind
to contradiction
My white balloon
has lost its string
and me
Round, open mouth
of the goddess
of light
The night sky’s
exclamation:
Oh!
Puppeteer
of tides,
rock the shore of the world
Bright Frisbee
the dog star lost
in the night
Perfect pearl
crown of cornfields
and night watchmen’s hair
Bellybutton
of God
Permission granted to post here by: Pat Schneider, Writing Alone and with others, Oxford Univ.Press, 2003.
I have truly adored this poem since the first time I read it – the descriptions are exquisite and everything about it is full of unselfconscious whimsy and joy. I’ve been a huge fan of Pat Schneider’s work for years now and when I originally emailed her directly to ask permission to eventually put this on the blog, she was supremely gracious and we began a brief bit of back and forth correspondence which was absolutely thrilling to me.
“Here it is. Just on the left there.”
The car slows down and a large sign comes into view – Sunshine Acres. At one corner, a laughing cartoon cow doffs a straw hat in welcome. It occurs to me – and not for the first time either – that elderly people are often lumped into the same category as little children. These dreadful names! The last place we visited was called Happy Haven. Must they use nomenclature that would be better suited to a Victorian lunatic asylum? As we pull into the driveway, my daughter-in-law, Nancy, makes enthusiastic chatter at top speed, rather like a monkey. I’ve heard her prattle like this before when she’s uncomfortable and it only serves to make me feel the same way.
We’re out of the car now, feet crunching on gravel and as The Director opens the door to us, a warm blast of the sweet smell peculiar to the old, hits me like a wave. Familiar feelings of dread begin to creep upwards from my bowels.
“Welcome! Lovely day, not too hot.”
With startling insight, I can now see who the model was for the cartoon cow on the sign. The Director is immaculate in a crisp tailored suit with piping and her platinum blonde hair is styled like a policeman’s. She is smiling alright, but there is a certain oiliness. Even her breasts, restrained within the confines of her jacket, have a formidable, don’t-mess-with-me attitude about them. She pumps my hand firmly and ushers us further down the hall, where the sun is shining brightly in a room called The Lounge and people huddle in groups reading the paper or staring into space.
“Now isn’t this pleasant!” says Nancy chirpily to Bill who has not spoken a word all the way here. The Director begins extolling the virtues of having a life that is still very much your own, where independence is retained right up to the end. The end? Nancy nods intently, hanging on every word. I wonder if she and Bill ever have a proper conversation. I wonder if they still make love.
I haven’t been here for a while (hola, you ten faithful readers in Brazil who keep on visiting!) and I have no excuse, save the fact that my blogging mojo has been seriously depleted of late and I have devoted more time than I care to admit to feeling badly about my writing and being completely intimidated by other more polished blogs and writers who look edgy and are all geometric-hipster-haircuts and matte lip colour.
I’ve been writing on and off my whole life and certainly I have been published regularly in that short blasts of non-fiction/fiction here and there kind of way but it’s not really satisfying to me. It’s like making do with cheese and crackers and pretending it’s enough when actually, you are still starving; in fact, it’s like you are pretending you even like cheese and crackers in the first place.
I don’t know why short fiction has an inferiority complex but to me it does. I want the depth of a novel behind me, something I can point at and say, there, see that? I wrote that and there is my name and photo even if the same book is now wedged in the remainder bin …