I have been between books for a while now partly because I have a new job which has required a massive learning curve (and I’ve been steadying myself of an evening with the cozy perfection of Nigel Slater’s food writing) and partly, because I recently completed (she said, not without some pride) the entire series of Karl Ove Knausgaard’s “non-fictional “novel” series.
Fortified, I then pressed onward with the entire Neapolitan volumes written by the hauntingly hard-to-read, hard-to-put-down, hard-to forget Elena Ferrante whose work I now admire immensely.
These books are like opulent, rich meals – with dessert – and beg to be savored not gorged, since they are certainly not easily digested afterwards. With Knausgaard particularly, it was troubling to decide if I applauded what he was doing (writing frankly about his life with no filter and thus exhibiting a total disregard for anyone else’s feelings) or despised it; however, what intrigued me most were his descriptions of the everyday and the banal which he chronicles from childhood to the present day; the expression of a cashier he might never see again; the certain feel of a day; the outside weather echoing what he felt within himself; his documentation of a parent’s sharp, throwaway, put-down which crushes him. Continue reading